First published in "Sonia Trevisan", Contrast Issue 3, p.33-35, February 2025 & in "Interview with Sonia Trevisan", Meta Space Gallery, 20 January 2025, metaspacegallery.co.uk
1. You live in the countryside; how does your surroundings influence your artistic practice, particularly in regards to your exploration of nature’s resilience and fragility?
My countryside surroundings deeply influence my art and inspire me to create work that reflects the resilience and fragility of nature. For my project ‘i am water’, I was drawn to the River Wye and Broadmead Brook, a local stream. Witnessing the sheer power of the river influenced my understanding of water as an indomitable force and informed the dark and mysterious forms I created.
For my latest project ‘Chaos & Balance’ exploring volcanic and tectonic activity, finding direct inspiration in my surroundings proved challenging. However, Corsica, with its dramatic volcanic landscapes, provided a powerful visual when I visited. Witnessing the power of geological forces first-hand further solidified my fascination with the constant interplay of chaos and renewal within the natural world.
2. How do the natural sciences inform your work, especially when addressing tectonic shifts and volcanic eruptions?
My artistic practice is informed by my fascination with geology and geophysics. I find the intricate mechanisms that govern our planet awe-inspiring.
For my recent project ‘Chaos & Balance’, I studied volcanoes and tectonic shifts. My research revealed not only their destructive power but also their crucial role in creating the conditions for life. I was particularly intrigued by how these chaotic events ultimately lead to renewal and the emergence of new ecosystems. This informed the contrasting imagery within the series.
3. You’ve mentioned that you are inspired by poetry; are there any specific poets or work of poetry that have inspired you and why?
Poetry plays a vital role in my artistic process, serving as a wellspring of inspiration and a catalyst for exploration. I’m particularly drawn to poets who explore themes of nature and activism.
Rupi Kaur’s poem ‘i am water’ influenced my project of the same name, where I explored river erosion and its transformative power. For my project ‘Dead & Reborn’, Lawrence Ferlinghetti’s ‘A Vast Confusion’ inspired me to investigate the impact of dead trees in nature’s cycle of renewal.
4. During your creative career, has your perspective on art changed since the start? If so, how?
Initially, I simply captured the aesthetic beauty of nature through traditional landscape paintings. However, following my foundation degree, I started incorporating my environmental values into my art. I began to see my art as a vehicle for raising awareness about environmental challenges and highlighting nature’s vulnerability and resilience.
5. How do you hope your art raises awareness about environmental issues?
By showcasing the beauty and fragility of the natural world, my art aims to raise awareness about urgent environmental challenges, such as climate chaos and chemical pollution. I hope to evoke empathy in viewers, fostering a connection to nature and inspiring them to consider their own environmental impact.
My latest project ‘Chaos & Balance’ explores the cyclical nature of life, the resilience of the natural world and the delicate balance that sustains it. I hope to inspire environmental stewardship and encourage viewers to become active participants in protecting nature.
6. How do you ensure your own creative practice is sustainable and environmentally conscious?
As an environmentalist, I am conflicted about the use of resources for my art practise. However, I believe that art can be a powerful medium for environmental advocacy.
I consider the materials I use and seek out recycled and second-hand supplies whenever possible. For example, last month, I bought second-hand felt pens from the 1970s; they work brilliantly. I carefully plan my artworks to reduce material waste and repurpose scraps. I also responsibly dispose of residual paint and solvents to prevent water pollution.
7. Do you have any upcoming projects that you’re excited to share?
After a few months being busy with moving house, I’m finally back in the ceramics studio. I’m currently in the exciting phase of developing my 2025 artistic focus. I’m exploring themes related to the impact of society on the environment and the resilience of the natural world. You can follow my journey on Instagram to stay updated on my progress.
